On the evening of our first preview of CLASS, the new play we had co-written about a parent-teacher meeting that…
Mark Morris: Spicing up Sgt Pepper, Wales Millennium Centre
April 2, 2019Mark Morris’ Pepperland successfully launched Liverpool’s Sgt Pepper at 50 Festival in 2017 and this year it tours the UK,…
Ben Pettitt Wade: Hijinx’s Into the Light
February 12, 2019We are three weeks into rehearsal for Into The Light, Hijinx’s first European collaborative production, featuring performers from Italy, Spain…
Rhys Warrington: Blue, Chippy Lane Productions
January 10, 2019Click. Send… (email swoosh). And breathe. My debut play BLUE has just been released from my closely guarded hands… Within a…
Phil Williams: Frankenstein, Cascade
November 5, 2018The not-so-new kids on the block: Cascade Dance Theatre Having achieved positive responses from critics and audiences alike during their…
Jack Philp: TEST | CAPTURE meeting point of study and studio
October 26, 2018I have always been a self-confessed academic and since forming my collective; Jack Philp Dance, in 2014, I have continued…
Outdoor Circus Adventures: Planting Pips in the Valleys: Bridie Doyle-Roberts, Co-Artistic Director of Citrus Arts
October 23, 2018In 2012 my husband and I moved from Cardiff to Pontypridd in the Rhondda Valley when we bought our first…
Alan Humphreys: Producer for Forget Me Not, Avant Cymru
October 16, 2018When Rachel Pedley from Avant Cymru first asked me, over 18 months ago, to produce a project based on the…
James Ellis: Leonard Bernstein, Garfield & Influenza, madeinroath
October 12, 2018madeinroath festival has reached its ten-year anniversary and its seem to get bigger every year. Here at Weeping Tudor Productions,…
Richard Studer, Artistic Director, Mid Wales Opera: L’heure espagnole
October 5, 2018Tick Tock, siop gloc, clock shop, cock… Translating a piece like Ravel’s opera L’heure espagnole is a task which brings…